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The Strange Love of Martha Ivers | |
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Directed by | Lewis Milestone Byron Haskin(uncredited)[1] Hal B. Wallis (uncredited)[2] |
Produced by | Hal B. Wallis |
Written by | Robert Rossen Robert Riskin(uncredited) |
Based on | Love Lies Bleeding by John Patrick |
Starring | Barbara Stanwyck Van Heflin Lizabeth Scott Kirk Douglas |
Music by | Miklós Rózsa |
Cinematography | Victor Milner |
Edited by | Archie Marshek |
Production company | |
Distributed by | Paramount Pictures |
Release date | |
Running time | 116 minutes |
Country | United States |
Language | English |
Box office | $3,250,000 (US rentals)[3] |
The Strange Love of Martha Ivers is a 1946 American film noirdrama directed by Lewis Milestone from a screenplay written by Robert Rossen (and an uncredited Robert Riskin), based on the short story 'Love Lies Bleeding' by playwright John 'Jack' Patrick. Produced by Hal B. Wallis, the film stars Barbara Stanwyck, Van Heflin, Lizabeth Scott and features Kirk Douglas in his film debut.
The film was entered into the 1947 Cannes Film Festival.[4] In 1974, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication.[5]
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Plot[edit]
On a rainy night in 1928 in a Pennsylvania factory town called Iverstown, thirteen-year-old Martha Ivers tries to run away from the guardianship of her wealthy, domineering aunt, Mrs. Ivers, with her friend, the street-smart, poor Sam Masterson. She is caught and brought home where Martha's tutor, Walter O'Neil Sr., presents his timid son, Walter Jr., as the one responsible for Martha's recovery. Scolded by her aunt, Martha defiantly states her name is not Ivers, but Smith, her father's name.
During a power failure, Sam comes for her, but Martha's aunt hears her calling to him from downstairs. While Sam slips out unnoticed, Mrs. Ivers starts beating Martha's kitten with her cane. Martha wrestles it away from her and strikes her across the head with an iron poker, causing her to die. When the power comes back on, Martha lies about the incident to Walter Sr. Even though Walter Jr. saw everything, he backs her up. The greedy Walter Sr. makes it clear to both Walter Jr. and Martha that he knows what happened, but that as long as he and his son stand to benefit, he will play along. Sam leaves town.
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Seventeen years later, in 1946, Walter Sr. is now dead and Walter Jr. is now Iverstown's district attorney and is married to Martha, who has used her inheritance to expand the Ivers milling empire. Their marriage is one-sided; he loves her, but Walter knows that she does not love him.
Sam, a former soldier and itinerant gambler, drives into the small town by chance and, after an accident, leaves his car to be repaired. While waiting, he goes to look at his old home, now a boarding house. He meets Antonia 'Toni' Marachek, who has just been released from jail. She misses her bus and they spend the night in adjoining rooms in a hotel. She is later picked up for violating her probation by not returning to her hometown. Sam asks Walter to use his influence to get Toni released.
Walter is convinced Sam has blackmail in mind. Sam then learns that Walter Sr. had presented Martha's version of the 1928 accidental murder to the police: that an intruder murdered Martha's aunt. With his leverage, Walter Sr. had made Martha marry his son. When the police identified a former employee of the aunt as the murderer, the two Walters and Martha had helped convict him, and he was hanged.
When Martha reacts with joy at seeing Sam, a jealous Walter forces Toni to set him up. Sam is beaten up and driven out of town, but he is too tough to be intimidated. When all else fails, Walter makes a halfhearted attempt to kill Sam himself, but is easily disarmed. Walter then inadvertently blurts out his fears of blackmail, only to learn that Sam did not witness the death. Martha breaks down and laments that he left without her all those years ago, taking with him her only chance for love and freedom.
Sam is torn between his old love and his new one with Toni. Although he eventually forgives Toni for betraying him, he and Martha spend an idyllic day together, rekindling his feelings for her.
Walter arranges to meet Sam to finally settle matters. Before Sam arrives, Walter gets drunk and Martha finds out about the meeting. When Walter falls down the stairs, Martha urges Sam to kill her unconscious husband. Sam instead brings Walter around. Martha pulls out a gun and threatens to shoot Sam in 'self defense' as an intruder. Sam tells her it would work if she can get Walter to corroborate her story. Sam turns his back on her and leaves.
Walter embraces and kisses Martha, then points the gun at her midriff. Oddly relieved, she puts her hand over his hand on the trigger and presses. As she is dying, she defiantly states her name is not Martha Ivers, but Martha Smith. Outside, Sam hears the shot. He runs back toward the mansion, but sees Walter, holding Martha's body, shoot himself. Sam and Toni drive away together.
Cast[edit]
- Barbara Stanwyck as Martha Ivers
- Van Heflin as Sam Masterson
- Lizabeth Scott as Antonia 'Toni' Marachek
- Kirk Douglas as Walter O'Neil
- Judith Anderson as Mrs. Ivers
- Roman Bohnen as Mr. O'Neil
- Darryl Hickman as Sam Masterson as a Child
- Janis Wilson as Martha Ivers as a Child
- Ann Doran as Bobbi St. John
- Frank Orth as Hotel Clerk
- James Flavin as Detective #1
- Mickey Kuhn as Walter O'Neil as a Child
- Charles D. Brown as McCarthy
- Blake Edwards as Sailor (uncredited)
- Robert Homans as Gallagher (uncredited)
- Gladden James as John (uncredited)
Cast notes
- This film marked Kirk Douglas' screen debut. Producer Hal B. Wallis was on his way to New York to look for new talent when he ran into Humphrey Bogart and Lauren Bacall, who suggested that he go to a play which featured Bacall's old drama school classmate, Issur Demsky, who later took the name Kirk Douglas.[1] Douglas later wrote in his autobiography that Van Heflin was very helpful to him in his first time on a film set.[6] In contrast to his later, tougher roles, Douglas plays an alcoholic weakling. According to Tony Thomas, 'it assured Douglas his future in films'.[7]
- Future film director and producer Blake Edwards had an uncredited bit part as a sailor who hitches a ride with Sam.[8]
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Production[edit]
Director Lewis Milestone left the film for several days in sympathy with a set decorators' strike which was going on at the time. In his absence, the film was directed by Byron Haskin, who did not receive screen credit.[1][9] Stanwyck had considerable influence on how she was lit, and was not shy about putting her fellow actors on notice that she did not like to be upstaged. When she saw the coin trick Heflin had learned – at Milestone's suggestion, to show that Heflin's character was a professional gambler – she informed him he should make sure he did not do it during any of her important lines, since she had a bit of business that would upstage him, if she had to. With that she raised her skirt high and adjusted her garter. Heflin is seen rolling a coin on his fingers several times in several scenes.[9] Kirk Douglas later wrote that Stanwyck was indifferent to him at first, until at one point she focused on him and told him, 'Hey, you're pretty good.' Douglas, smarting from having been ignored previously, replied, 'Too late, Miss Stanwyck,' but the two got on well after that.[1][9]
Six months after the film's release, Milestone gave an interview in which he said he would never work for producer Hal B. Wallis again, because Wallis had wanted re-shoots in order to get more closeups of Lizabeth Scott. Milestone refused, telling Wallis to shoot them himself, and, according to the director, Wallis did.[2]
The film's ad campaign consisted only of teasers before its release: Newspapers ran ads reading 'Whisper her name!',[9] while radio spots had a woman repeatedly whispering 'Martha Ivers'.
Critical reception[edit]
The film has received acclaim from modern critics. It holds a 100% approval rating on Rotten Tomatoes, based on 10 reviews.[10]
Dave Kehr from Chicago Reader wrote in a glowing review that the film 'is pervaded by his guilty-liberal fascination with power and money.' And continued by saying 'Director Lewis Milestone does little more than accent the hysteria of Rossen's script, though his portrait of the company town, bound in factory grime and feudal loyalty, is nicely done.'[11]
Awards and nominations[edit]
John Patrick received an Academy Award nomination for Best Writing, Original Motion Picture Story.[12]
See also[edit]
References[edit]
Notes
- ^ abcdArnold, Jeremy. 'The Strange Love of Martha Ivers (1946)'TCM.com
- ^ abMilestone, Lewis interview Los Angeles Sun Mirror (December 8, 1946), reported in 'Notes' in the American Film Institute Catalog entry.
- ^'60 Top Grossers of 1946', Variety 8 January 1947 p8
- ^'Festival de Cannes: The Strange Love of Martha Ivers'. festival-cannes.com. Retrieved 2009-01-06.
- ^Pierce, David (March 29, 2001). Legal Limbo: How American Copyright Law Makes Orphan Films(mp3 in 'file3'). Orphans of the Storm II: Documenting the 20th Century. Retrieved 2012-01-05.
- ^Douglas, Kirk (2007) Let's Face It: 90 Years of Living, Loving, and Learning New York: John Wiley. p.21 ISBN9780470084694
- ^Thomas, Tony (1991). The Films of Kirk Douglas. Carol. pp. 33–36. ISBN9780806512174.
- ^
- ^ abcdCallahan. Dan. (2012) Barbara Stanwyck: The Miracle Woman University Press of Mississippi. pp. 151-153 ISBN9781617031847
- ^'The Strange Love of Martha Ivers (1946)'. Rotten Tomatoes. Fandango Media. Retrieved November 14, 2020.
- ^'The Strange Love of Martha Ivers'. Chicago Reader. 2000-01-01. Retrieved 2020-11-14.
- ^The Strange Love of Martha Ivers (1946) - nominations at Oscars.org
External links[edit]
Wikiquote has quotations related to: The Strange Love of Martha Ivers |
Wikimedia Commons has media related to The Strange Love of Martha Ivers. |
- The Strange Love of Martha Ivers at the American Film Institute Catalog
- The Strange Love of Martha Ivers on IMDb
- The Strange Love of Martha Ivers at the TCM Movie Database
- The Strange Love of Martha Ivers at AllMovie
- The Strange Love of Martha Ivers at Rotten Tomatoes
- The Strange Love of Martha Ivers is available for free download at the Internet Archive
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On May 13th, the world’s top celebrities will head to Cannes, in the south of France, for the city’s annual high-profile film festival. Six days later, the Cannes Charity Poker event, sponsored by 888.com, will take place in the bustling city. As the tournament’s sponsor, 888.com is giving its members the chance to play poker alongside Matt Damon and Ben Affleck.
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The poker festivities in Cannes will benefit Not On Our Watch and One Voice For Freedom, which help children in Darfur and anti-slavery efforts, respectively. The former was founded by Don Cheadle, George Clooney, Damon, Brad Pitt, David Pressman, and Jerry Weintraub. The winner of the 60 player event in Cannes will receive one of the most unique prizes ever awarded in a poker tournament: a quarter of a million dollar beach house in Durban, South Africa. The winner and a guest will also receive three nights in a top-tier hotel in Cannes plus travel expenses and a fancy dinner at the Palme d’Or.
888 is sending one of its players to the charity poker tournament. In order to qualify, members must have generated at least 1,200 points between March 1st and May 6th. On May 9th at 19:00 GMT, a freeroll will be held on its felts for those who have qualified. Players in the free event will receive 5,000 starting chips and the price of poker will go up every 15 minutes following the $20,000 Guaranteed structure. Its winner heads to Cannes.
A £160 buy-in tournament will take place on May 7th at 20:00 GMT for those players who were not able to accumulate at least 1,200 points. The top three finishers in the £160 buy-in tournament will gain access to the freeroll two days later. Each player begins with 3,000 chips and blinds increase every 15 minutes.
The $20,000 Guaranteed on Pacific Poker, which is owned and operated by 888, runs six times per week at 20:35 GMT. The only day it doesn’t occur is Sunday. The buy-in to the tournament is just $55 and satellites begin at an affordable $2.20. On Sundays, Pacific Poker players flock to the $100,000 Deep Stack Challenge, which kicks off at 20:00 GMT. The buy-in is $140 and direct qualifiers begin at $30, doling out one entry into the Deep Stack Challenge for every $140 in the prize pool.
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A press release distributed on Monday by 888 explains the allure of playing poker with Damon, Affeck, and other movie stars: “The black tie occasion promises to be one of THE events of the two week Cannes Film Festival and the lucky 888.com winner not only has a chance of winning that $250,000 beach house, but also has the opportunity to mix with some of the biggest celebrities on the planet and to rub shoulders with the world’s cinematic glitterati.”
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The Cannes Film Festival begins on May 13th and runs until the 24th. Last year’s festivities included appearances by a veritable “who’s who” of Hollywood personalities, including Dennis Hopper, Robert De Niro, Bénicio del Toro, and Sean Penn. In 2008, a record 1,070 feature films were entered, the second straight year with more than 1,000. In addition, 45 shorts were also a part of the judging.
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According to PokerScout.com, which tracks online poker room traffic, Pacific Poker ranks as the 13th largest worldwide with a seven day running average of 1,080 cash game players. Its 24 hour peak is double that number, 2,113. At the time of writing, 1,356 players are taking to its virtual felts. The largest site in the world is PokerStars, which features a seven day average of 22,200 real money ring game players.
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Editor’s Note: As of March 25th, 2009, this promotion is limited to registered players of 888.com. New players are not eligible to be sent to Cannes.