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1. Casino Del Belvedere Vatican right to suspend a cash-out request pending verification of User’s identity, age and location of the bearer of the account. The subscriber implicitly gives his authorization to the processing of any personal data in compliance with the privacy laws in force in Malta.
2. Paul IV commissioned the initial project of the 'Casina del Boschetto', as it was originally called, from an unknown architect; the first mention of the single-storey building can be found on 30 April 1558, and a notice of the following 6 May, says that the Pope spent 'two thirds of his time at the Belvedere, where he has begun to build a.

The Roulette Casino Del Belvedere Vaticano Double Up. So this strategy can be quite rewarding, but at the same time risky. Whenever you claim a casino bonus, the first thing you should do is to take the whole Casino Del Belvedere Vaticano amount and bet on either RED or BLACK on Roulette. The Cortile del Belvedere (Belvedere Courtyard or Belvedere Court) was a major architectural work of the High Renaissance at the Vatican Palace in Rome.Designed by Donato Bramante from 1505 onward, its concept and details reverberated in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries.

The Casino di Belvedere is a 15th century building located at a high point of the Vatican hill about 300 meters (about 1000 feet) from the papal palace, overlooking the plain of Prati di Castello from which lower vantage point Vasi provideds a second view of the Belvidere which can be seen in his print of the Porta Angelica, Plate 19 silhouetted against the sky with an impressive sunset. As an isolated building with a 'good view' (Belvedere), it probably served the function of a suburban villa for the pope in the same way as a number of the other sites in this volume did for the noble families to which they belonged. Under Julius II Della Rovere (1503-1513), Bramante built two long wings (1) linking the Belvedere to the main papal palace, thus forming a rectangular garden court on three levels. In this print Vasi depicts the top level of that court and its gardens, which Nolli labels Giardino della Pigna on his map. Pigna refers to the ancient bronze pine cone (2) standing in front of the Nicchione (great niche). The Nicchione, built by Ligorio in 1560, is at the center of the short north wing of the Bramante court, which masks the Belvedere building itself. The pine cone, found in the Baths of Agrippa, was used in the medieval period to decorate the courtyard in front of old St. Peter's, and then moved here in the early 17th century. The columned structure at the extreme left edge of the print appears to be an entrance to one of the two cross wings added to the Bramante court, dividing it into three distinct spaces.
Click here to view this plate in the Interactive Grand Tour.

Coordinates: 41°54′15″N012°27′09″E / 41.90417°N 12.45250°E

The Casina Pio IV (or Villa Pia) is a patrician villa in Vatican City which is now home to the Pontifical Academy of Sciences, the Pontifical Academy of Social Sciences and the Pontifical Academy of St. Thomas Aquinas. The predecessor of the present complex structure was begun in the spring of 1558 by Pope Paul IV in the Vatican Gardens, west of the Cortile del Belvedere. Paul IV commissioned the initial project of the 'Casina del Boschetto', as it was originally called, from an unknown architect; the first mention of the single-storey building can be found on 30 April 1558, and a notice of the following 6 May, says that the Pope spent 'two thirds of his time at the Belvedere, where he has begun to build a fountain in the woods'.

Upon Paul IV's death on 18 August 1559, Pope Pius IV took on the project, which had not yet been completed, and, turning to Pirro Ligorio, improved it. The complex, as it was completed in 1562, comprised an elliptical cortile, two free-standing portals, and the loggia with its fountain. Rich sculptural stuccos, once supplemented by some fifty ancient Roman sculptures, enliven the exterior (illustration).^[1] A team of at least six major painters, including Federico Barocci, Federico Zuccari, and Santi di Tito and their assistants, frescoed the interiors.^[2]

The Casina's rich and at times obscure iconographic programme, of the efficacy of baptism, the primacy of the papacy and the welcomed punitive powers of the Church,^[3] seems to have been inspired by CardinalCharles Borromeo, nephew of Pius IV, who probably had it in mind as the headquarters for the Academy he was about to found, on 20 April 1562, called Accademia Noctes Vaticanae. Graham Smith^[2] suggests that the interrelated iconography of the interior frescoes was inspired by Cardinal Marcantonio da Mula.

Pope Pius XI, the founder of the current Pontifical Academy of Sciences, made the Casina the Academy's current headquarters in 1936.

See also[edit]

Citations[edit]

1. ^They are not just as Pirro Ligorio designed them; Graham Smith, The Casino of Pius IV, Princeton, N.J., Princeton University Press, 1977, documents 17th-century restorations, replacements in 1824 and major renovations in 1931–35.
2. ^ ^abSmith 1977.
3. ^As examined by Smith 1977.

General references[edit]

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• Friedländer, Walter (1912). Das Kasino Pius des Vierten. Kunstgeschichtlichen forschungen, 3. Leipzig: Karl W. Hierseman. OCLC803230407. The first modern monograph based on documentation.
• Losito, Maria (2010). The Casina Pio IV in the Vatican. Translated by Gabriella Clare Marino. Vatican City: Pontificia Academia Scientiarum. ISBN978-88-7761-099-7. OCLC955239788.
• Smith, Graham (1977). The Casino of Pius IV. Princeton, N.J.: Princeton University Press. ISBN9780691039152. OCLC983924623.
  • Partridge, Loren W. (June 1978). 'Review: [Untitled]'. The Art Bulletin. 60 (2): 369–372. doi:10.2307/3049799. JSTOR3049799. An extended critical review, analyzing the iconographic program in detail.

External links[edit]

• Media related to Casino di Pio IV at Wikimedia Commons

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